Because you can't have depths without surfaces.
Linda Grant, thinking about clothes, books and other matters.

Monday, 28 July 2008

Is Harry a Groovy Old Man?




In today's Independent John Walsh casts a spotlight over what, as far as I am aware, has been a previously unidentified cultural demographic.
As he says mid-way through the article:
'The Groovy Old Men' started out as the children of post-war rock'n'roll, growing up in the forties, fifties, and sixties. They're probably the most fortunate generation in history. Lucky to have missed the war, most of them also missed rationing, national service, and austerity. But they witnessed the initial stirrings of rock music-Elvis, Bill Haley, Cliff (?) Buddy -the benefits of the pill, the apotheosis of the teenager, the rise of satire, the counterculture, the expansion of screen -based culture into the global village, the first wave of computers....No wonder Groovy Young Men turned out the way they did.' ( read full article here)

Well, apart from the absence of any mention of the Grateful Dead , recreational drugs , and tab-collar shirts, do I see myself reflected in this definition? Well, truth to say, yes. I have an i-pod, I go to the gym, and I did go to the Latitude Festival with my sons last year ( but not this year because I thought the music line-up was dull).
As for the other observations that Mr Walsh enumerates: they are well made and we get the picture- it all serves pretty well as a journalistic approximation.
But what reading this rather engaging article on- line won't show you is two things. Firstly the pleasing absence of any photo of the ghastly ego on legs that is Mick Jagger. It's about time that he wasn't trotted out as the icon of our generation. He never was. In Harry's opinion he is a shallow show-business construct of his own making, and he fronts his own tribute band. Which is sad , rather than impressive.
Instead the article in the paper is pleasingly illustrated with photos of Terence Stamp, Bill Nighy, and Paul Smith, amongst others. Each, in their own way, with an admirable degree of style, and, I would surmise, a mature and idiosyncratic take on, well, getting older.

Harry Goes To Paris


Just for three days. But time enough for art, shopping, dining, and good conversation.


My very urbane and charming host James suggested either the Richard Avedon or Annie Liebowitz exhibitions currently on in Paris.
I plumped for the Avedon. I had had a dose of Ms Liebowitz at the Vanity Fair show at London's National Portrait Gallery earlier in the year. There is only so much contrived celebration of celebrity one can take I feel.
The Avedon was splendid.Of course much of his early fashion work was located in 50's Paris. And very captivating it was. But the aesthetics and glamour of the fashion work were pleasingly juxtaposed against the later, mesmerising, portraits. Samuel Beckett in Paris, the Beatles caught in that moment when they were growing from boys to men. And the Monroe shot. How over-played and overused her image has become. But here was one I had not seen before, almost without artifice, finally looking like a real person.
In the last room there were just shots of real people. Some of the current dispossessed of the USA. A memorable show.
The only disappointment was that they had made the wrong choice in terms of the show poster. It's always good to finish a cultural expedition with some shopping.

How to tie your hijab this season


I have long thought that organised religion and fashion were deadly enemies, and I thought this despite the fact that in my childhood, Autumn and Spring were the times when you hit the shops so you could join the fashion parade in the ladies' gallery of our synagogue for Rosh Hashana, Yom Kippur and Passover. While the men below prayed, the women cast a critical eye over each other's outfits. Evidently, God was a keen fashionista if he judged whse name was to be written down in the book of life and whose in the book of death by whether we had a Chanel bag with a chain handle.

It has slowly been sinking in that the Muslim woman who ties a headscarf across her hair might not been the downtrodden slave of misogynist fundamentalism that the panicky first believed. The scarf, or hijab, is now a hot fashion accessory amongst young Muslim women. How have I come about such a realisation? Looking at salesgirls in London. At the stunning women whose carefully put together outfit checks this season plus an artfully tied hijab on top:

Jana Kossaibati, whose blog, Hijab Style, claims to be the UK's first style guide for Muslim women, says women are getting more experimental. "Muslim girls are very conscious of the way they dress. When you wear a headscarf you stand out as a Muslim, so what kind of message are you also sending out if you look drab or messy?" Kossaibati started her site because there wasn't another like it in the UK, "but since it began 10 months ago a lot of others have appeared," she says.

Go and check out that site, and also Hijabfashionista and The Hijab blog, where
classic "Spanish", "simple braid" and layered styles are studied and copied by women who want to make sure their scarves turn heads. Other sites advise on the best scarves to wear for sport and even under a baseball cap.

Perhaps fashion will defeat fundamentalism. Hope so.

Sunday, 27 July 2008

Don't tell him Pike!



The funniest sitcom ever made. This sublime moment derives its humour from everything you know about Captain Mainwaring and Private Pike. It's all led up to this: the encounter with a captured U Boat captain. Cast and script fused.

The new economising

. . . my own much-loved purchase from a previous downturn was a multicoloured Missoni coat, in vivid tangerine and ochre zigzags. It was half price in a sale, though still not cheap, yet it's worked out as one of the most economical purchases I've ever made, because I've worn it thousands of times (thus justifying the cost- per-wear equation). And, though it might sound excessive, I swear it's actually practical, because it's literally over-the-top - you can fling it over a pair of old jeans or on top of a little black dress, and immediately look as if you've made an effort.


Justine Picardie in the Telegraph today

Saturday, 26 July 2008

Laughing baby

What women want

Valentino AW08/09 couture show

More Croc evil


Once the anti-smoking message took hold in the West, the tobacco industry had to find new markets for its products and aggressively sought out the Third World, creating an evil addiction where none has existed before.

Similarly, a sharp downturn in the US sale of Crocs, has led their manufacturers to look elsewhere for sales:

Shares in the shoes' Colorado-based manufacturer plunged by as much as 47% at one point yesterday as the company warned that its sales were likely to be lower this year than last.

Crocs chief executive, Ron Snyder, blamed economic conditions: "We are obviously disappointed with the economic situation in the US and part of Europe, however we remain confident about the long-term prospects."

Crocs had been aiming for second-quarter sales of between $247m and $258m (£130m). According its new forecast, it will only make $218m to $223m. To cope with slowing demand, it is closing a factory in Canada.

Snyder said there were plenty of countries where Crocs were gaining ground and vowed to press ahead with global advertising to build the brand. "We believe many of our markets are under-penetrated and should provide meaningful growth opportunities for our products well into the future."

One day, the floor of the rainforest will be bright with discarded plastic shoes.

Friday, 25 July 2008

The email I have always wanted to send

Is here

Fabulous or dreary?

It's Dior and costs £3265.

Browns Little Black Book

Avsh Alom Gur for Ossie Clark

Browns has a rather fun thing on its website, a little black book with pages on the new designers

Thursday, 24 July 2008

Men and Uniforms



The idea of a uniform is a bit of a conundrum for the average male. It's not that uncommon , in my experience, for the female of the species to sometimes bemoan the boring apparel of their significant other. Probably quite rightly. Because men do seem to conform rather a lot in their style of dress.

But perhaps they feel more constrained in their choice of what to wear than they are given credit for.
They conform to unwritten rules in terms of professional status ( though perhaps nowadays to a dress down uniformity). And outside work they conform in a tribal way to to a chosen peer group ( sports gear, media savvy/ ironic T shirts, Grateful Dead t shirts). Yes, the overall look is deeply dull. Because one sees it cloned a million times. And it's perhaps not very stylish.
But hang on.
Women fall for a man in uniform. We know that because that's what they tell us. But perhaps they are referring to the DJ and bow tie, or perhaps the firefighter. We are assured that these a big turn - on.
So there is a sort of Darwinian pressure on the male to embrace the idea of a uniform.
But what elements of a uniform create attraction? Literature suggests that power and masculinity are the key signifiers ( Bathsheba Everdene and Anna Karenina spring to mind).
Perhaps the partner's complaint of 'dullness' is just a coded way of saying ' my dear , I'm sorry but you simply don't look powerful or masculine enough'.
This may be a bit of a poser for those of us of more senior years. But spare a thought for the younger generation. It's possible that they are being rather poorly served by some of the leading style arbiters. Just look at those skinny jackets, fey sweaters, and flimsy shoes.
But I guess if they adorn themselves head to toe in D&G and make sure those logos are showing, then they are at least managing to communicate ' I have money to burn'.
Which today is perhaps the key cipher for power and masculinity.

(posted by LG but by Harry)

Harry Agrees With Hadley


Well, up to a point.

Hadley Freeman in the Guardian was asked recently what is ' the safest way to compliment a lady?'. ( Read it here).
The question is revealing. It shouldn't be about what is safe, but what is right.
She has certainly got it right in identifying some of the things that should not be said: ( 'that dress makes you look pretty').
But I am less convinced of her recommendation. Yes, it may be ok to say 'That's a nice dress',. Or 'that colour really brings out the colour in your eyes'. But in my humble opinion neither of these are likely to pass muster.
Because they sound like a rehearsed response. Unless the male in question has a track record of paying attention to others ( perhaps a loaded question) , and  a track record of comment and compliment, this is going to sound anything but spontaneous.
Ok, it's difficult for men. So many ways to get it wrong. It's not surprising that steering through these troubled waters results in something anodyne.

The real answer is simply 'You look fabulous'.
But it has to be said unprompted, and with spontaneity.
There may well have been time for a couple of martinis before being called on to say anything. That's what the martinis are for.

Thank you

Many thanks to all of you who shared your memories of 9/11. Please add to them if you wish

It's true. Shoe designers hate us


Lisa Armstrong at the Times asked around to see if designers were going to introduce a mid-height heel, and the answer is no, they aren't:


“So,” I asked the head of the shoe design studio at Louis Vuitton in Paris recently, “when are you going to do a shoe for you know, wearing?” The slightly wounded reply was that if they had money for every time someone made a smart-aleck comment like that, they would be very rich indeed, but that actually, there were no plans to introduce lower heels in the foreseeable future.

It's pretty much the same story at other fashion shoes houses - officially, at least. “Our customer is a fashion customer” one PR said, implying that anyone not prepared to stagger through her day in 105mm has obviously given up the fight to look good. Another told me that their 35mm to 55mm heels were doing very nicely - with the “older” customer.

Great. Wanting a shoe you can walk in now categorises you as a geriatric. In some of the more fashionable stores, you actually have to ask to see a mid-height heel - they're not on display. Oh, the shame. Sidling into the adult section of the video store and asking to see the stuff with animals probably has more kudos.

“The simple fact,” Rupert Sanderson tells me on the phone from the shoe factory in Florence, “is that heels just look sexier, stronger and more arresting the higher they are. With the advent of the concealed platform, heels can be even higher. Technically, the sky's the limit. I keep doing lower heels, and some of them look quite strong - but the eye gets distracted. We're used to height.

“The other reason why designers still push the extreme heel is because that's what women come to us for. Practicality is what they go to the high street for.”

Wednesday, 23 July 2008

Rape in wartime

I was otherwise busy this morning writing this short piece for the Guardian on rape in wartime, following the arrest two days ago of the Bosnian Serb leader Radovan Karadzic.

I details my own extremely brief career as a war correspondent.

Fashion after 9/11: A question for readers

I'm working on a chapter of my book, The Thoughtful Dresser, about fashion in the immediate aftermath of 9/11 - how the horror of the attack affected us. I remember the first new copy of Vogue I saw after the attack, it must have been about three weeks later, and feeling slightly sickened by it, wondering how I could have been preoccupied with such trivia, which of course wore off in time.

I'd be interested in your thoughts and recollections, particularly American readers.

Credit crunch haberdashery

In a rush this morning, I advise you just to read this, about the new credit crunch haberdashery - the make do and mend de nos jours.

Tuesday, 22 July 2008

Ethical fashion directory

People Tree

The Guardian has just rolled out a very impressive new searchable ethical fashion directory.

Check it out here

In days of yore



For the past few days I have been doing this newfangled thingy called a 'wardrobe edit.' I hauled everything I wasn't actually wearing at the moment into a rail in the spare room at which it was revealed that I actually had far more clothes than I thought I did because I could actually see them. The envisaged scenario is that at the end of summer I'll do another edit and rotate some things back in again.

It seems that our dear Princess Anne has also just done a wardrobe edit, observing this summer's trend for florals:

Let's not for one minute suggest that Princess Anne's decision to dig out the dress she wore to her brother's first wedding in 1981 for another family wedding 27 years later was remotely connected to thriftiness. Anyone who can afford a designer dress, and has the space to store decades worth of posh clothes in palatial wardrobes, isn't too concerned about her bank balance. No, Anne's decision to recycle - or, to use the appropriate fashion parlance for this phenomenon, to repeat - a floral print piecrust-edged wrap dress is actually a common fashion practice.

However, as Imogen Fox points out in the Guardian, if you wear what you wore last time this fashion was around, you have to do it with a leetle bit of a modern twist if you are not to look in the miror and recoil with shock and disgust at how old the neck has got above the collar.
In 1981 she wore the dress with a yellow floral and net hat, and accessorised with pearls. Fast-forward to this weekend and she's wearing the same hat and yet another pearl choker. This isn't just a sartorial aberration either - the princess has form in repeating outfits without imagination. A blue-and-white dress worn to a film premiere in 1986 was trundled out again with the same white gloves 14 years later. A bonnet was worn twice 17 years apart, each time without irony.

Excuse me, you're on a hiding to nothing if you're looking for irony from a member of the Royal Family. Particularly Princess Anne. Isn't irony what they put on the horses' feet?

Anyhow, what with the Goth look coming back this Autumn, we're all warned against hauling out the gear from our early Eighties Madonna phase. Imagine that stuff on Madonna herself, with her weird reptile face and creepy arms. No, what we do is gesture to the look, gesture. I hope that's straight now.