Valentino AW08/09 couture show
Saturday, 26 July 2008
More Croc evil

Once the anti-smoking message took hold in the West, the tobacco industry had to find new markets for its products and aggressively sought out the Third World, creating an evil addiction where none has existed before.
Similarly, a sharp downturn in the US sale of Crocs, has led their manufacturers to look elsewhere for sales:
Shares in the shoes' Colorado-based manufacturer plunged by as much as 47% at one point yesterday as the company warned that its sales were likely to be lower this year than last.
Crocs chief executive, Ron Snyder, blamed economic conditions: "We are obviously disappointed with the economic situation in the US and part of Europe, however we remain confident about the long-term prospects."
Crocs had been aiming for second-quarter sales of between $247m and $258m (£130m). According its new forecast, it will only make $218m to $223m. To cope with slowing demand, it is closing a factory in Canada.
Snyder said there were plenty of countries where Crocs were gaining ground and vowed to press ahead with global advertising to build the brand. "We believe many of our markets are under-penetrated and should provide meaningful growth opportunities for our products well into the future."
One day, the floor of the rainforest will be bright with discarded plastic shoes.
Posted by
Linda Grant
at
07:03
21
comments
Labels: Critical faculties, Shoes
Friday, 25 July 2008
The email I have always wanted to send
Is here
Posted by
Linda Grant
at
16:35
13
comments
Labels: Opinions
Browns Little Black Book
Browns has a rather fun thing on its website, a little black book with pages on the new designers
Posted by
Linda Grant
at
13:42
2
comments
Labels: AW08, Ossie Clark
Thursday, 24 July 2008
Men and Uniforms

The idea of a uniform is a bit of a conundrum for the average male. It's not that uncommon , in my experience, for the female of the species to sometimes bemoan the boring apparel of their significant other. Probably quite rightly. Because men do seem to conform rather a lot in their style of dress.
(posted by LG but by Harry)
Posted by
Linda Grant
at
18:49
5
comments
Labels: Harry Fenton, Menswear
Harry Agrees With Hadley
Posted by
Harry Fenton
at
11:47
7
comments
Thank you
Many thanks to all of you who shared your memories of 9/11. Please add to them if you wish
Posted by
Linda Grant
at
06:53
0
comments
Labels: about the site
It's true. Shoe designers hate us

Lisa Armstrong at the Times asked around to see if designers were going to introduce a mid-height heel, and the answer is no, they aren't:
“So,” I asked the head of the shoe design studio at Louis Vuitton in Paris recently, “when are you going to do a shoe for you know, wearing?” The slightly wounded reply was that if they had money for every time someone made a smart-aleck comment like that, they would be very rich indeed, but that actually, there were no plans to introduce lower heels in the foreseeable future.
It's pretty much the same story at other fashion shoes houses - officially, at least. “Our customer is a fashion customer” one PR said, implying that anyone not prepared to stagger through her day in 105mm has obviously given up the fight to look good. Another told me that their 35mm to 55mm heels were doing very nicely - with the “older” customer.
Great. Wanting a shoe you can walk in now categorises you as a geriatric. In some of the more fashionable stores, you actually have to ask to see a mid-height heel - they're not on display. Oh, the shame. Sidling into the adult section of the video store and asking to see the stuff with animals probably has more kudos.
“The simple fact,” Rupert Sanderson tells me on the phone from the shoe factory in Florence, “is that heels just look sexier, stronger and more arresting the higher they are. With the advent of the concealed platform, heels can be even higher. Technically, the sky's the limit. I keep doing lower heels, and some of them look quite strong - but the eye gets distracted. We're used to height.
“The other reason why designers still push the extreme heel is because that's what women come to us for. Practicality is what they go to the high street for.”
Posted by
Linda Grant
at
06:40
12
comments
Labels: Shoes
Wednesday, 23 July 2008
Rape in wartime
I was otherwise busy this morning writing this short piece for the Guardian on rape in wartime, following the arrest two days ago of the Bosnian Serb leader Radovan Karadzic.
I details my own extremely brief career as a war correspondent.
Posted by
Linda Grant
at
10:39
2
comments
Labels: Opinions
Fashion after 9/11: A question for readers
I'm working on a chapter of my book, The Thoughtful Dresser, about fashion in the immediate aftermath of 9/11 - how the horror of the attack affected us. I remember the first new copy of Vogue I saw after the attack, it must have been about three weeks later, and feeling slightly sickened by it, wondering how I could have been preoccupied with such trivia, which of course wore off in time.
I'd be interested in your thoughts and recollections, particularly American readers.
Posted by
Linda Grant
at
09:53
30
comments
Labels: about the site
Credit crunch haberdashery
In a rush this morning, I advise you just to read this, about the new credit crunch haberdashery - the make do and mend de nos jours.
Posted by
Linda Grant
at
09:30
5
comments
Labels: Credit Crunch Chic
Tuesday, 22 July 2008
Ethical fashion directory
The Guardian has just rolled out a very impressive new searchable ethical fashion directory.
Check it out here
Posted by
Linda Grant
at
21:16
2
comments
Labels: Ethics
In days of yore


For the past few days I have been doing this newfangled thingy called a 'wardrobe edit.' I hauled everything I wasn't actually wearing at the moment into a rail in the spare room at which it was revealed that I actually had far more clothes than I thought I did because I could actually see them. The envisaged scenario is that at the end of summer I'll do another edit and rotate some things back in again.
It seems that our dear Princess Anne has also just done a wardrobe edit, observing this summer's trend for florals:
Let's not for one minute suggest that Princess Anne's decision to dig out the dress she wore to her brother's first wedding in 1981 for another family wedding 27 years later was remotely connected to thriftiness. Anyone who can afford a designer dress, and has the space to store decades worth of posh clothes in palatial wardrobes, isn't too concerned about her bank balance. No, Anne's decision to recycle - or, to use the appropriate fashion parlance for this phenomenon, to repeat - a floral print piecrust-edged wrap dress is actually a common fashion practice.
However, as Imogen Fox points out in the Guardian, if you wear what you wore last time this fashion was around, you have to do it with a leetle bit of a modern twist if you are not to look in the miror and recoil with shock and disgust at how old the neck has got above the collar.
In 1981 she wore the dress with a yellow floral and net hat, and accessorised with pearls. Fast-forward to this weekend and she's wearing the same hat and yet another pearl choker. This isn't just a sartorial aberration either - the princess has form in repeating outfits without imagination. A blue-and-white dress worn to a film premiere in 1986 was trundled out again with the same white gloves 14 years later. A bonnet was worn twice 17 years apart, each time without irony.
Excuse me, you're on a hiding to nothing if you're looking for irony from a member of the Royal Family. Particularly Princess Anne. Isn't irony what they put on the horses' feet?
Anyhow, what with the Goth look coming back this Autumn, we're all warned against hauling out the gear from our early Eighties Madonna phase. Imagine that stuff on Madonna herself, with her weird reptile face and creepy arms. No, what we do is gesture to the look, gesture. I hope that's straight now.
Posted by
Linda Grant
at
06:37
13
comments
Labels: AW08, Elements of style, The Great Mutton Debate.
Monday, 21 July 2008
Do not go gentle into that good night

Rage, rage against the pursed mouthed puritans who tell you can't wear a patent leather mock croc shearling flying jacket, like this
Posted by
Linda Grant
at
14:06
2
comments
Paul Smith on How To Be Dapper

The Thoughtful Dresser brought this interview with Paul Smith to my attention. ( Read it here)
Posted by
Harry Fenton
at
11:30
3
comments
Labels: Harry Fenton, Menswear, Paul Smith
The sort of person I am not like . . .

. . . but wish I was.
A woman develops a methodology to store her scarves.
I will spend years thinking about doing this, without actually doing it.,
Posted by
Linda Grant
at
08:41
9
comments
Labels: Care of clothing, Scarves
Sunday, 20 July 2008
Another ebay item

A Nicole Farhi shearling jacket lined with rabbit fur, size 12
Posted by
Linda Grant
at
10:49
0
comments
Labels: Shopping
Yet more Roberto Cavalli!
Roberto Cavalli has a lot of love to give. It spills out of him indiscriminately like an overflowing fountain. As he walks through the rooms of his sprawling Tuscan villa, a paean to the decorative qualities of animal fur and trailing purple orchids, it is difficult to find anything that does not provoke a new burst of passion.and so read on!He loves his blue-and-yellow macaw, which is quietly minding its own business on a large gold birdstand in the dining room. 'I love you I love you I love you!' Cavalli shrieks ecstatically, as the bird squawks. He brings his face up close and tries to kiss it. The parrot swipes its beak perilously close to Cavalli's nose.
Outside, sitting down for lunch on a leopard-print garden chair, he professes ardent devotion to the pine nuts in his bowl of fresh pasta. 'I love them - the taste! I love the small things,' he continues, breathlessly plucking a white flower from a nearby trellis. 'What you see in one flower is so fantastic. The detail on this one leaf ...'But most of all, the 68-year-old Cavalli loves women. 'I love the skin,' he says, clasping my arm. 'I love to be watched from beautiful eyes.' He gazes at me intently through reflective sunglasses, leaning forward so that his unbuttoned black shirt gapes open. The giant diamanté crucifix he wears round his neck bangs gently against the table.
But as well as loving women, parrots and pine nuts, Cavalli has developed another outlet for his considerable reserves of passion: he is about to launch his own red wine. 'I love it,' he says, not entirely unexpectedly. 'I drink only this and nothing else.'
Really, I implore you, just stop whatever it is you're doing, make a cup of coffee, situate a box of tissues near your screen so you can wipe the tears of laughter from your eyes and Enjoy. Because I can't just paste up the whole thing so click the link. Guaranteed to bring minutes of reading pleasure.
Posted by
Linda Grant
at
08:49
2
comments
Labels: Roberto Cavalli
How to work out what to wear
Harry set off with his linen suit and his Martin Margiela shirt in a suit bag yesterday, to attend a social event. He was anticipating being the only dressed up man there. If anyone called him on it, he said, he was going to tell them that he'd decided to be Italian.
Of course, what he was wearing was exactly the right kit for such an occasion.
We spend a lot of time wondering what other people will be wearing, terrified of being under or overdressed. Harry and I agreed that we should turn this on the head and ask ourselves - what is the appropriate dress for the occasion. Wedding: jeans and t-shirt? No. Barbecue: black tie? No. It's fairly simple, really.
For example: mid-week post work party in garden of publisher - linen Nicole Farhi dress, structured jacket. Sunday evening drinks party in Central London flat: LBD and statement jewellery.
And if the other guests don't have the wit to understand what they're suppose to wear, that's their problem. You know you're wearing the right thing.
There is something wrong with this Anglo-Saxon culture which buys clothes for special occasions, instead of buying clothes you can dress up or down so you can look fabulous every day, but that's another subject.
Posted by
Linda Grant
at
07:27
8
comments
Labels: Elements of style





