Tagged - five random things about me

I have been tagged by George Szirtes and am supposed to write six random things about myself. So here they are:

1. I have never seen an episode of the Simpsons

2. My father knew Houdini

3. I always thought I would grow out of being untidy, but I haven't. I don't understand the principle of putting things away. If I can't see them, they might as well not be there.

4. The oldest item currently in my wardrobe is a sweater dating from 1978. One day I will be thin enough to wear it again. One day.

5. I am a Canadian citizen (as well as a British citizen)

6. I will not, under any circumstances, eat a fried or poached egg. I might eat a cold boiled egg in a Salad Noicoise, or an omelette but only as long as the filling overwhelms the taste of the egg, and there is no runiness.

I will now tag Deja Pseu, Phyllis at The Sewing Divas, Lisa Goldman Miss Cavendish Charles Lambert Baroque in Hackney

There is no waiting list for Hermes Birkins

Example of rich Hermes customer

It's all a scam:

In his book, Tonello, 49, an Osterville native, reveals how he cracked the code for jumping the waiting list to purchase Birkins whenever he pleased. Naturally, this code has something to do with large amounts of cash. When Tonello first attempted to purchase a Birkin at Hermès, he was told that the store had none available. But when he later visited a store and spent thousands on Hermès merchandise such as scarves and jewelry, he found that stores would suddenly have the coveted Birkins in stock.
. . .
A spokeswoman for Hermès said there is no system or trick for purchasing a Birkin. She said it's simply a matter of forming a relationship with the store and working with an associate to track down one of the bags when they become available. Because the bags are handmade, she said there are limited numbers available. A single Birkin - depending on the material - can take up to a week to complete.

"There was a waiting list at one time," says Bernice Kwok-Gabel. "But we realized the whole concept of a waiting list may be off-putting for some customers."

(thanks, sewing divas)

Sew it yourself

courtesy of the Sewing Divas

I know some readers will be delighted to hear that there has been a huge jump in home dressmaking, according to the Guardian.

I speak as one who who has both two left feet when it comes to dancing, and and two left hands when it comes to sewing, and who thinks that shop-bought is always better than home-made (when it's my home it's being made in) but I'm nonetheless quite pleased to see any revival of creativity:

So it comes as no surprise to me that more and more people are taking up sewing. Last week, Argos reported that sales of selected sewing machines have rocketed by 50% in their stores in the past 12 months. Explaining this phenomenon, they cite increasing concern for the environment, awareness of social issues and a backlash against the "throwaway society". They need only add the words "credit crunch" to give a complete picture of why sewing has suddenly become popular again. Woolworths has also just reported a similar trend, with sewing-machine sales growing by 258% in the same period. Their explanation? "We think it's down to more home economics classes being taught in school, the increasing popularity of fancy-dress parties and the death of the high-street tailor."

And those figures show that a trend that has been bubbling under for a decade has finally hit the mainstream. The crafting revival began in earnest in 2000, when Debbie Stoller, editor of popular US feminist magazine Bust, took a fresh approach to the traditional skills of knitting and crochet, reinventing them for contemporary crafters. She wrote the knitting book, Stitch and Bitch, and soon groups of the same name were gathering in clubs, bars and cafes across the world to make stuff together. In the UK, other groups started, too, including Knitchiks (knitchicks.co.uk), the Cast Off knitting club (castoff.info) and IknitLondon (iknit.org.uk).

The Thoughtful Dresser: The blog, the book . . .

Oh, look!

So last year

It seems that the term vintage is now out. Replacing it is CCC - credit crunch chic, i.e. wearing clothes you already have instead of buying new ones.

It'll be tough but I plan to be in style, In fact I'm planning to wear, once again, a Zara dress I bought in the summer of 05.

Swing swing swing

Oh, and the pashmina is back, but tied a different way, apparently

Not to be confused with pashminas of yore, which were pretty and pastel and draped across shoulders, mark II is wound round the neck and dangles down the front, school-of-Burberry style, as a deliberate counterpoint to summer’s ultra-feminine ruffles fest. If you’re aiming for androgynous tailoring, the kinda-depressed pashmina will ensure you don’t look too severe. If you’re a celebrity, you could wear one with an evening dress to show you’re cool. Think of it as a new kind of necklace, but only if it helps.

Spurred on by the success of my personal pashmina odyssey these past few months, I’ve been tempted to progress onto other scarves, successful scarf-wearing being the PhD of clothes. Unless you’re Chloë Sevigny, the dowager Duchess of Devonshire, Inès de la Fressange or Marilyn Monroe prancing around nude behind a transparent scarf on a Bert Stern shoot, it’s hard to avoid looking like BA cabin crew. Still, Hermès didn’t get this far with four customers, so there must be a knack. Unfortunately, none of us in the fashion department can identify it. It would appear that on the whole, successful scarf-wearing is an innate talent, like having the ability to bite your toe nails or be French.

I was wearing my Etro scarf to tea with Joan Burstein on Tuesday in exactly this way, and she took it off me and re-tied it. I think it helps to have a long neck

The place Lisa is telling you to buy your pashmina isn't pure.co.uk, that doesn't work because it's wrong, but the link at the top of my very page! I'm going there straight away. So should you.

The pendulum swings . . .

Jess in the New Look

I think it was about three years ago that, during a phone conversation with Ian Katz, then the Guardian's features editor, he said to me: 'Black trousers are over.'

Now Mr Katz, since elevated to overall editor of the Saturday edition, while a truly great newspaper editor and the man who rang me up one day and asked me if I'd like to go over to Paris to 'bring back some brainy ruminations on the collections', with his Camper shoes and party shirt, is not the first person I'd turn to to fashion advice. And not the person from whom I'd welcome hearing the news that black trousers were over.

But no, he said, we have a piece from Jess going in. Jess Cartner-Morley is the Guardian's fashion editor and duly, a couple of days later, there it was. Black trousers are finished. How, dear readers, I scoffed. Because the absolute staple of every girl's wardrobe was a pair of perfectly fitting (ha!) black trousers. And one had no idea what one was going to wear instead.

Yet six months later, I realised I hadn't worn a pair of black trousers in months. Something in fashion had shifted and I was going along with it. So for that reason I tend to believe what Jess says. Volume (which she at first called 'poufy') - she announced the arrival of that. And so it went.

But now Jess tells us that black trousers are back.

Pay very careful attention:

This year, the dress is finally losing its hold over fashion. Next season's must-have is not a cocktail dress, but an evening blouse. And now is the time to find the trousers to wear it with.

The new-look trouser sits proudly high on the waist. The slightly slouchy, flat-fronted trouser of five years ago - which British women adored for its its ability to make even pear-shaped hips look boyishly slim - is nowhere to be seen. The new style is more determinedly feminine, with a waistband that is in nodding distance of your actual waist. Think 1977 rather than 1997.

If you haven't gone in for fashion-trousers for a while, the first trying-on session can be a little alarming. The style is lengthening to the leg and rather elegant, but decidedly unforgiving on the waist, hips and tummy. Comrades, do not panic. Wear a blouse or bold T-shirt that draws attention to your top half, rather than a plain vest or knit, so you won't feel quite so self-conscious. And cast your mind back to the first time you wore a pair of skinny jeans - if you managed to reconcile yourself to those in the end, these are going to be a breeze.

No, I didn't manage to . . .

And the time in my life for tucking-in, is over.

Heels, the end is nigh

it says here

In recent seasons, high heels have been growing at a staggering rate, with celebrities seemingly daring each other to go higher and higher. Towards the end of 2006, Christian Louboutin and his trademark red soles were regularly name-checked not just in Vogue, but in the tabloid press too. Heel heights became a story in their own right. From Nigella Lawson in her 6in fetish shoes back in 2004, to exacting descriptions of the towering heels Victoria Beckham wore to the Cruise/Holmes "Welcome to LA" party last year, stories are now regularly and spuriously spun around shoes and heel heights. The result being that any two-bit celebrity who wants to be papped now knows that she need only strap on some platform spikes with nosebleed potential and coverage is pretty much guaranteed.

But there are signs that a quiet backlash is beginning. Celebrities who don't want to be associated with a limo lifestyle have turned their back on heels. Indie poster girl Alexa Chung favours Chanel two-tone pumps, and has been seen recently sporting Russell & Bromley schoolgirl loafers. It is a shoe that demands a gamine leg and a well-turned ankle, and as Chung no doubt knows, it is far harder to pull off than no-brainer 7in heels.

Russell & Bromley are quietly chuffed with the success of their Chester loafer, as it is known. "We've had that style for 25 years and it used to be a bit of a mum's shoe, but recently it has become one of our best sellers, and younger customers are buying it," explains a spokeswoman.

Meanwhile, Lily Allen has freshened up her look with blonde hair and flat pumps, and although Carla-mania was draining, Mme Sarkozy did reawaken our consciousness to the sartorial excellence of flat pumps.

On the high street, which is gearing up for the annual battle of the surprising summer must-have, several flat shoe styles are already in the running. Moccasin shoes are in contention again; this time not boots but slip-ons that are not too dissimilar to Chung's loafers. Gap has already scored a hit with its selection of gladiator sandals designed by French shoe genius Pierre Hardy. Yes, we've seen the shape before, but it is the first time that a designer/high street collaboration has fixated on a simultaneously affordable and flat shoe.

So what of the future for high heels? On the catwalks for next autumn, heels still prevailed, but there were subtle signs that the mood is changing. Alexander McQueen, once a devotee of the super-sized killer stiletto, chose to style the entire second half of his autumn collection with heavily jewelled and perfectly flat slippers. They looked beautiful and if the high street takes his lead, there may well be even more options for those wishing to swerve the heel wars come autumn.

But in the meantime, let's sit back in our new flatties and watch Eva Longoria and the Beso crew, Sarah Harding, Alex Curran et al totter their 7in super-sized heels right over the tipping point into style

What did you wear in the war, Mummy?

Handbag from the V&A's collection, circa 1945

Keef on like . . .

it says here

I wore whatever my mother put me in when I was little. Boring shorts and wee T-shirts. I wore school uniforms. I hated brown shoes. I started dressing up when I had to find what fitted. Fashion thinks more about me than what I think about it. I just wore what I wore and people noticed. The sexiest thing a woman could wear? Being stark f***ing naked.

Show me a woman who is faithful, and I won't believe you.

I don't do underwear. I never do the washing. How would I know whether my clothes stink? I throw them away.

(and so on and so forth)

A Handbag?

Two views of the bag.

This:

FOR IMMEDIATE RELEASE:

High resolution photography available on request. In studio visit April 25 to 28^th can be scheduled early morning or evening by arrangement only please. Onsite interviews and photo opportunity are available at the Expo. Please call for more information.

Contact: Ken Kobrick 888-618-8619 Email: passchal@comcast.net

The best in fashion is now being made with recycled products

New High Fashion Bags Made from Used Truck and Tractor Tire Inner Tubes Unveiled at the Go Green Expo

Richmond, VA (April 22, 2008) – Passchal is making new in-roads to the fashion industry next week with the unveiling of the latest in truly unique, one of a kind new bag specially designed for Dad – they are custom made from recycled tractor tire inner tubes.

“Designed with the environment in mind”, these highly remark-able bags for Dad and baby are exquisitely designed with style and function in mind. To date Passchal has re-used approximately 19 tons of inner tubes that would otherwise be discarded in landfills.

Dimensions are 15" x 20" x 3.5".

“Each bag is original with the markings that come from the factory where the tube was manufactured. Every single one of them is different," said Ken Kobrick co- owner of Passchal.

These bags are the latest in an ever expanding series of designer products Passchal has created using used truck and tractor tire inner tubes.

You can see Passchal at booth 517 at the Go Green Expo April 26-27, 2008 at the Hilton New York, 1335 Avenue of the Americas, New York City. The Go Green Expo is an open to the public consumer fair that will feature the latest in eco-friendly services and products. The Go Green Expo is the largest eco-friendly conference held to date in New York.

For more information on Passchal handbags visit www.passchal.com.

-###-

Passchal is a Richmond, Virginia based company. All bags and other products are made from recycled truck & tractor tire inner tubes. Passchal fashion bags have appeared in the 2004 Billboard Awards goody bag, 2005 Fashion Week Retreat in New York City, 2006 Extra TV Awards Lounge gift bag for Oscar’s, Rolling Stone magazine to name a few.

Or there is this lengthy debate amongst young mothers about an Anya Hindmarch which, as it happens, I have myself

'Only the rich can afford cheap shoes'

I just wanted you, dear readers, to know that yesterday afternoon I had tea at Claridge's with Joan Burstein, the 81-year-old* founder of the clothes shop Browns (and who gave the teenage Manolo Blahnik his first job). The purpose of this glorious occasion (it's not the first time we've met) was a project which, in the fullness of time, I'll inform you of more fully.

But after finger sandwiches, teeny scones and an I've-died-and-gone-to-heaven little chocolate mousse cake, which we shared (sugar rush!!) she took me back to the shop to see the Autumn press show. Not only so I could see how much tailoring and muted colours we can expect, but also so I could try on, just for my own pleasure, you understand, a pair of £1100 (that's ($2200) pair of Balenciaga shoes, gladiator sandals, apparently.

Except when we got to the shop they had sold out. All gone. For as she explained to me, it didn't matter how expensive the garment, if it was beautiful it WOULD sell. And would sell quicker than things half the price. So now we know.

I did see this stunners from Azzedine Alaia, for 'only' £705, so hurry hurry hurry and get your pair.

* She was wearing blue and black Marni, and carrying a black Fendi python(?) bag, which was five years old.

The dress not dead after all

Marni

Contrary to laws passed two weeks ago by the Grand Fashion Caliph, the dress is to be spared execution before a baying mob of Parisian designers and magazine editors:

Fashion propaganda would have us believe that the dress is dead. As we affirmed last week, full skirts are certainly storming ahead. But as long as there are sunny days (and summer weddings) the chance of a sartorial coup is negligible. The shape that does seem to be slinking away is the smock. There were still permutations of it to be seen on the catwalk, which intimates that it isn't quite dead and buried yet, but for those who prefer a visible waistline this season, there are plenty of fresher alternatives around. Plus, commuters won't feel obliged to give up their seats on the bus for "pregnant" women.

Lia does Passover

Top Baby Lia examines matzah

Darling, to die for

A journalist once said to me, apropos of a certain features editor on a paper that shall remain nalmeess, 'X's idea of a perfect story is, Elizabeth Hurley - has she had too much media attention?'

But with interviews like this, what can you do, what can you do?

Hurley herself is apparently looking forward to the moment she never has to pose in a bikini again (although one fashion editor reports, “She is very confident in her body – I turned around and suddenly she was naked”). “Shooting bikinis is now my life, which, as you can imagine, is unmitigated hell,” she says, in her golly-gosh diction, which is peppered with words like “unpleasant-making” and “jolly”. “I can’t think of anything worse in the world than another bikini shoot – and I’ve got two next month. It’s unbearable, and I bring it all on myself. I’ve got nobody else to blame. It’s literallah torture. If you get a photographer you don’t know, of course, you think, ‘Oh God.’ But if you signed on for the gig, sadly, you have to go and be jolly in a skimpy white bikini. So I now rely on nice photographers, and a bit of retouching.”

Ah, yes, digital retouching. “I like a certain amount of retouching, like anybody,” she admits cautiously. “We all like to get rid of spots and shadows under our eyes. I’ve always been quite particular – I don’t like my face to be retouched. Often, people will want to correct one’s face, and with me, they always want to change my nose” – she squishes it – “and I’m like, ‘No, no, no, I can’t look like that. I don’t mind if you want to make me a bit thinner and a bit younger, but you can’t give me a different jaw or eyebrows.’ But the vanity retouching – well, who wouldn’t?”

Hilariously, Hurley’s retouching habit extends to her holiday photos. “I don’t have professional Photoshop, just the one that comes with your camera,” she says. “Every time I download my holiday snaps” – she lowers her voice for effect – “I always go over them. Just the red eye and colour enhancement. I don’t do any slimming, because you need a silly programme, but the colour enhancing is heaven.”

Who needs a surgeon to look good?

. . . asks the Observer.

My own observation is that a combination of the best hairdressing you can't afford, adroitly applied make-up and a really good skincare regime, will take you very far. But mainly the hairdressing.

Not made in China

Meanwhile, as the Olympic torch makes its way to Beijing (is it there yet?) the sight of the Tibetan protesters may make some of us think twice about buying Chinese-made clothes. the US has a made in America label, we have no such thing. One journalist set out to kit herself out in British clothes, and discovered it can only be done at the high end:

But how to buy non-Chinese sourced products when labelling regulations have become so lax? The answer is, you can't - not if you're shopping the high street. I set myself the task of researching the radical, hard-to-find alternative: a top-to-toe shopping list of fashion products made in a little country with a democratic political system, a minimum wage and iron employment laws. I speak, of course, of the exotic UK. And as it turns out, pockets of high-end, great quality, brilliantly designed manufacture still exist here.

A shining example is Margaret Howell, whose Wigmore Street shop (a haven of civilised English aesthetics) sells British-made white shirts which are the closest to the ideal that I've discovered. For fine summer sweaters, there's John Smedley, whose Sea Island cotton knits are made in Matlock, Derbyshire. Meanwhile, 65 per cent of Mulberry's bags are handmade in its Somerset factory.

Young British designers are also finding ways to craft at least part of their collections in Britain. Johnston's of Elgin makes all of Christopher Kane's cashmeres, including this summer's smash-hit biker jacket. The original Mackintosh (also Scottish) produces Erdem's raincoats, and Marios Schwab achieves the architecture of his sculptural designs in London factories.

For shoes, there's Georgina Goodman's Made in Mayfair collection. To complete a 100 per cent British-made wardrobe, it's even possible to find underwear. Buttress & Snatch, a vintage-haberdashery-trimmed collection swings a tag that reads "Handmade in Hackney by Honest, Hardworking Girls".

Our sponsor says . . . nothing

The BBC has launched an on-line ethical fashion magazine, called Thread. It's a very interesting enterprise for our national, state-owned broadcaster, which is paid for through direct taxation. The BBC is prohibited from taking advertising, which will make this possibly the only fashion magazine free from commercial interest. It's produced by BBC Learning and aimed at 16-30 year-olds, I assume on the prniciple of get 'em while their still young and don't have ingrained shopping habits. One of my beefs about ethical clothes is that they still haven't evolved into grown-up work-wear and seem either anti-fashion (the lumpy oatmeal linen dress) or young, multi-coloured, hip and ethnic. Perhaps the generation that demands ethical dress now will go on doing so when they hit 40.

Some extracts:

High street names such as Monsoon, Marks and Spencer and Next are members of the Ethical Trading Initiative, www.ethicaltrade.org. Members agree to a code of practice that covers basic workers' rights. It looks at hours worked, wages, health and safety and child labour. Members work with the factories they use to achieve improvements each year.

But one of the challenges that fashion companies cite is monitoring working conditions across a complex supply chain – raw cotton from India may be woven in Bangladesh, while buttons and zips may come from China. It can be difficult to ensure working conditions are fair in factories thousands of miles away.

and

It used to be relatively easy to spot guilt-free garb whether it was fairly traded or organic. It was dull stuff – the designs and colours didn’t exactly leap out at you. While perfectly decent clothing, it wasn’t high fashion and you wouldn’t find it on the catwalks or in glossy magazines.

All this is changing. Eco fashion is getting bolder and brighter. Gone are the dull, oatmeal-coloured tunics from the 1990s - think luminous red shift dresses from designer Viridis Luxe and clashing bright fabric skirts, stitched together by recycling enthusiasts From Somewhere.

As this summer’s fashion moves to bold, tribal patterns and fluro colours, ethical fashion has much to offer. Use our Style File to kick start your new look – experiment with stripes, branch out into boho or add a hint of tribal.

And the new It bag is . . .

That is correct, born in February 1955, the Chanel 2.55 is the latest It bag, according to Lisa Armstrong, who knows. Though she doesn't call it an It bag, because It bags are just so 2007.

I have been obsessing about the Chanel 2.55 for months, and in this I cannot claim any originality. Every other fashion type is now carrying or lusting after one. It’s just that it’s small, can be slung across the body and no one’s calling it an It bag, because It bags are very 2007.

Clarins Beauty Flash Balm - what?

In the comments Anonymous writes:

In response to annonymous's problem of grey olive skin in winter, I have used for many years Clarins Beauty Flash Balm (Eclat de Beaute) every morning over moisturiser. It is a lovely peachy colour in the tube and a very light application gives a dewy glow as if you've just come in from a blowy walk along the seashore. It suits my Anglo Italian complexion perfectly and avoids any need for foundation or powder, thus allowing the scrubbed French look you mention. I'm sure you will not be disappointed.

I find these comments baffling. I have tried Beauty Flash Balm and have never noticed a blind bit of difference, whether under or foundation, or without it. As for it obviating the need for foundation, ha! I am convinced that this must work for some types of skin, but not others, because I have repeatedly had this conversation with the many members of the League of the Beauty Flash Balm Mystified.